Saturday, January 16, 2016

Highland Black Tie

With Burns Night around the corner, people the world over are dusting off their sporrans, Prince Charlie coatees, ghillie brogues, and kilts (and hoping they still fit) to prepare for the annual consumption of the "great chieftan of the puddin' race".

How could you say no to a good haggis?
(from philly.thedrinknation.com)

While many Burns Suppers have more relaxed dress codes, the local Burns Supper is often the only Scottish-themed black-tie event of the year for most people outside the United Kingdom.  Unfortunately, the influence of tourist traps and kilt-hire shops can be clearly seen in the clothing selections of guests at these events.  While such people get a pass both because of the extreme effort they're often making to connect to their roots and because they simply don't know any better, if you haven't sorted-out your Scottish outfit, here are some pitfalls to avoid and tips to ensure your ensemble passes muster.


1. Your Kilt Doesn't Rest at Your Hips!


This is the biggest issue you'll see, both with trousers and with kilts, but it looks especially sloppy with a kilt.  The kilt is designed to be worn very high - at least at the wearer's waist (which is above your hip bones, typically at the same level as your navel), though some are worn even higher.  This is important as it ensures the kilt stays put whether you're sitting, standing, dancing, traipsing about the Highlands, etc.   Your waist doesn't stretch and move nearly as much as the regions below it, and it serves to keep the kilt stable and the bottom edge at the proper place.

There's no such thing as "too high" when it comes to wearing a kilt.
(Image from xmarksthescot.com)


2. Your Kilt Doesn't Cover Your Knees!

One of the main reasons for wearing a kilt is to show off your legs, but many men (especially young men) have a tendency to wear their kilts with the edge below their knees and with their hose (i.e., socks) pulled way up so no leg is showing.

Al Roker's knees have low self esteem.
(Image from adweek.com)
The kilt should come to the top of the kneecap.  If you're uncomfortable with showing so much skin, the middle of the kneecap is acceptable, but no lower!

And while we're on the subject, your kilt hose should, as a general rule, be no higher than two or three finger widths below the bottom of the kneecap.


3. Wear the Right Jacket


As you can see in the case of Mr. Roker above, a "normal" jacket with a kilt just looks... strange.  Thankfully this is the area in which most people are safe.  The ubiquitous Prince Charlie jacket is 100% correct for wear with a kilt at a black-tie event, and it seems almost everyone has one... which is as good a reason as any to avoid them if you ask me!

Another good reason to opt for another jacket was given by C.R. MacKinnon in his book Scottish Tartans and Highland Dress, in which he derides the Prince Charlie coatee for throwing the figure out of proportion with much too much kilt showing and a tiny torso balanced precariously on top.  I tend to agree with him.  Additionally, the slouchy kilt-wearer looks significantly worse in such an abbreviated jacket as puffs of white shirt emerge between the jacket and kilt.

The jackets in the illustration at the left are Prince Charlie coatees
(Image from xmarksthescot.com)
In my opinion, there are two main alternatives to the Prince Charlie; the black Argyll jacket normally reserved for formal daywear, and the regulation doublet.

The Argyll jacket is the quintessential kilt jacket - the black jackets with silver buttons worn by bagpipe bands are almost all Argyll jackets.  They come in all sorts of colours, though black is most common for formal wear, and come in rough tweeds of innumerable patterns and even tartan;  though for a black-tie dress code, don't wear tweed!  Tartan, worsted, barathea wool, or even velvet are all fine choices.  Most people opt for the simple black barathea Argyll jacket and kill two birds with one stone as it can be worn during the day and the evening by changing the waistcoat and tie.

The timeless black Argyll worn with the Cthulhu Tartan.
(Image from xmarksthescot.com)

As you can see from the picture above, the simple black jacket looks great with the black bow tie. 

The other option for your Burns Night is my favourite: the regulation doublet.  Similar to a Prince Charlie jacket, but with "Inverness flaps" or "tashes" attached to prevent the tiny-torso look.

A regulation doublet worn with the MacQueen tartan.

The regulation doublet is about as fancy as I'd get for a black-tie dress code.

There are numerous other options, but most are considered a bit too formal for black tie, so I'll cover those in a future post on Highland doublets and white tie dress codes.


4. Wear an Evening Sporran


The sporran is the pouch worn on the front of the kilt and is used in place of pockets (since almost all kilts have none).  Sporrans for more casual wear and for evening wear tend to be very different.  In general, the more casual sporrans are plain leather (or pleather, for our vegan friends) and are worn with a simple leather strap.  For evening wear, however, a sporran with a cantle (the metal bit on the top) is called-for.  Evening sporrans are also usually made from fur rather than plain leather, though a cantled leather hunting sporran will do in a pinch. 

There's also the option of the full-mask sporran, which, like the Argyll jacket, can be worn with day or evening dress; though they do sometimes cause people to scream...

Badger-Badger-Badger-Badger
(Image from katemacphersonsporrans.co.uk - they are very cool)

The evening sporran should also be worn with a chain rather than a plain leather strap, just be careful of the clips as they can catch on the kilt or wear holes in it!

Please don't fall for the ploy that the so-called "semi-dress" sporran is adequate for both casual and evening wear.  The semi-dress sporran is truly the El Camino of the sporran world; it claims to be both a truck and a car, but in reality is neither.

Finally, there's the horsehair sporran - those made with long horse hair and sported by military bands.  While technically "correct", unless you're playing the bagpipes at your event, I'd suggest you forgo the horsehair sporran.  If you choose not to, just be warned that many will assume you're compensating for something...
http://www.benbhraggiehouse.com/shop/images/msh-1001.jpg
Unless you're playing the pipes or drums, you're trying too hard...


 5. Don't Wear White Hose or Tartan Flashes

Wearing cheap white hose with flashes (the bits that peek-out from the rolled-down sock top) in the same tartan as your kilt just screams "tourist".  Many shops that rent kilts stock white hose because they supposedly "go with anything".  While some people do like the look of white hose, you're much better-off wearing a colour that accentuates a small line or stripe in your kilt's tartan. 


House of Cheviot's Lewis Hose are a bit pricey, but are AMAZING and come in tons of colours.
Some die-hards insist that patterned hose are necessary for black tie, and while you might consider forking-over a bunch of cash for diced or Argyll hose, a solid colour works just fine and doesn't scream "look at me, look at me, look at me!"

As for flashes, solid-colours are best.  They typically attach to an elastic strap that is fastened under the hose cuff to help keep them up.  If you want something a little more rustic, consider traditional garter ties.

If you insist on wearing tartan flashes, please wear them with a hose colour other than white!

You also don't have to wear a sgian dubh (knife) in your hose.  You can, but there's no requirement that you do so (and some venues or local laws might prohibit it).


6. You Don't Have to Wear Ghillie Brogues

The salesperson in the shop on the Royal Mile may have told you that ghillie brogues are indispensible for "formal" kilt wearing, but that's not entirely true.  While they have come to be acceptable footwear for black-tie dress, a traditional patent-leather formal shoe or well-polished oxford will do just as well!

If you do opt for ghillie brogues, red laces and tassels are a traditional way to dress them up a bit and differentiate yourself from the masses of ghillie-wearers.



7. Wear a Waistcoat or Belt

An evening waistcoat (vest) has a deeper, v-shaped opening than day-wear waistcoats - the former usually having only three buttons while the latter have five.  If you want to wear a waistcoat, the evening waistcoat is best.  Tartan waistcoats look excellent, but be sure the tartan is the same as your kilt!

Formal kilt belts have large, flat, plate buckles (not plain tack-and-harness or Sam Browne buckles) and should be black.

Many of the attendees at state-side Burns Suppers will sport a waistcoat and belt, which should be avoided.  The belt will either be hidden beneath the waistcoat, making the wearer look more portly, or will prevent the waistcoat from extending as far down as needed to prevent wrinkles.

Think of the formal kilt belt like a cummerbund - you wouldn't wear a waistcoat and cummerbund with a tuxedo...

If it's warm, wear a belt with no waistcoat.  If it's cool, wear a waistcoat with no belt.


8. Wear Traditional Shirt, Studs, and Cufflinks

Follow the sage advice provided for these items on The Black Tie Guide.


9. Wear a Kilt Pin if You'd Like

Kilt pins aren't strictly necessary as they don't serve any real functional purpose.  Some people believe that they're intended to hold the kilt closed, but one should never pin the front apron to the back apron of the kilt!  That is just asking for a tear in the fabric and a ruined kilt.  If kilt pins are intended for anything other than decoration, it is to add a bit of weight to the outer edge of the front apron.

Virtually any pin can be used as a kilt pin, just keep in mind that it should be fairly subdued, not too large or small, and shouldn't have any sharp points that might catch or damage the kilt (aside from the pin itself).  While some might deride a simple blanket pin at a black-tie gathering, it is my opinion that they are practical and attractive, despite their simplicity.  Besides, if you have only one kilt, it's best not to be swapping the pins out too much as that can lead to visible holes in your kilt!

Many people, in their excitement about their Scottish heritage, purchase innumerable "clan crest" items - sporrans, kilt pins, cap badges, cufflinks, etc.  While pride in one's family and heritage are admirable, adorning oneself with nothing but the buckle and strap crest of a clan has the effect of making one look like a Formula-1 car sponsored by a clan society.   If you wish to wear your clan's crest-badge, wear one and no more.


10. You Don't Need a Hat

In general, one should never wear a hat indoors, especially at a black-tie event.  If the weather is cold and headwear is worn en route to the event, simple Scottish headwear will do.  Balmoral bonnets are generally preferred as the Glengarry looks a bit too military (though you can wear one if you like).

Balmoral Bonnet in Lovat Green
(image from jhiggins.net)

Just remember, neither should ever be made of tartan!

That's it!

While there is certainly more nuance and variation than outlined here, these 10 tips will get you off on the right foot should you wish to kilt-up for your black-tie Burns Supper (or other event).

Good luck!

Monday, October 27, 2014

Happy (Late) Cravat Day!

Since it was a cravat that pushed this blog toward fashion and clothes, it only seems appropriate that the first real post be a late celebration of Croatia's Cravat Day, which was October 18th.

Image from Tom Sawyer Waistcoats

The cravat was adopted from the 17th Century military uniforms of Croatian mercenaries serving in France.  The mercenaries would wear a strip of cloth around their necks, generally of coarse, simple fabrics for the soldiers with the officers wearing finer linens and silks.

Charles II is generally credited with taking the fashion to England when he returned there from exile in 1660.  It seems to have spread and evolved from there, though exactly when it went from being a tied cloth over the collar to a loose cloth under an open collar isn't readily apparent.

The cravat is essentially a rectangle of cloth that is tied around the neck, though nobody is sure why.  The general thought is that it was intended to protect the doublet from getting soiled or to hide a dirty collar from view.  Whatever the original function, cravats were also decorative, and quickly came to be worn in many styles.

Today, the cravat is typically worn loosely under an open shirt collar and rarely seen as anything more than a cliché for wealthy and/or effete screen characters.  When one searches for "cravats" online, the search results generally contain ascots that are incorrectly being called cravats as the latter term seems to be more familiar to people.

Mr. Steele as he receives word that cravats have become cliché.


So you should probably avoid the cravat in your everyday wardrobe unless you're really sure of yourself or looking to be seen as very well-off or feminine.

Sunday, October 26, 2014

Fashion Blog?!?

At an outdoor dinner the other night, my niece refused to wear her scarf, so I put the sparkly, pink scarf on like a cravat.  My sister and her husband jokingly said I should be a fashion blogger.

So, get ready:
David Wasley by Tommy Ga-Ken Wan

An eccentric fashion blog is coming soon...

Wednesday, July 4, 2012

The Affordable Care Act, a Counter Fairy Tale

Some of you may have seen this blog post, written (apparently) as a way to foist a particular political ideology upon children.  I simply could not get the idea of another fairy tale out of my head, and so I am posting my rendition here.  I do want to say that, unlike the author of the original tale, I do not intend this version to be told to children (even though the language is cleaner).  I am of the belief that children with computer-like brains are intelligent enough to make their decisions without their lens being skewed and colored by other peoples' political ideologies, even if those other people are their parents. 

Without further ado, the counter-tale:


Once upon a time, in a not-so-faraway land, there was a vast and powerful kingdom.  In that kingdom, nearly all the girls were princesses and nearly all the boys were princes.  The princesses and princes rode around in huge carriages pulled by dozens of ponies, though they grew very little pony food in the kingdom.  Because they didn’t like the smell of growing pony food or the sort of people who grew it, the princes and princesses of the kingdom bought their pony food from all around the world, and if the growers didn’t want to sell it to them, they would send their soldiers and force them to.  They wore fine clothes which were made by poor children in faraway lands, but because these children didn’t live in the kingdom, the princes and princesses simply pretended they weren’t real, and went about their business, neglecting to even thank the pretend clothes fairy (known as Walmarta) for the things they wore.
But not everyone in the kingdom was a prince or princess, though the princes and princesses liked to pretend that those who weren’t chose to be paupers and peasants (which doesn’t make much sense if you think about it).  One such person was a little girl who was very smart and very curious.  On her way home from an underfunded school that couldn’t possibly prepare her for a competitive marketplace dominated by spoiled princes and princesses, this girl passed a cottage made entirely of sweets.  Being curious, she stopped to look at it, though she didn’t go through the gate since she had been taught to be respectful by her impoverished parents.
Little did the girl know that the candy house was the home of a wicked witch, who cursed the girl for staring at her cottage.  From that day forward, the girl required special potions to keep the curse at bay, though her parents could barely afford them.  They had been paying the merchants of the kingdom a regular fee before that day in return for their promise that, if a witch should curse one of them, they could get the potions they needed, but the merchants closed their shops to them and said the poor girl had been cursed on a Tuesday, so they didn’t need provide the potion.
Thankfully, the kingdom had a good king who had been elected by a majority of the people.  He also had kindly advisers and leaders that the people had chosen to watch out for them.  The king and these leaders had heard stories like the little girl’s and decided to do something about it.  The law went forth saying that princes and princesses would receive only 10 toys on their birthdays rather than 11, and that the money saved would go to helping poor children and their parents who had been cursed by witches.  Even though the potions provided to the poor children weren't as good as those given to princes and princesses, the parents of the princes and princesses cried out in a rage, demanding toys for their spoiled children, but the good king would not back down.  The parents went to the judges of the land, who scratched their wigged heads as they weighed whether the extra toys or the lives of cursed boys and girls were more important.  When the judges decided the cursed children’s lives were more important, the parents of the princes and princesses vowed revenge upon the good king, and went to the merchants asking for gold that they could use to depose him.
To this day, the princes and princesses of that vast and mighty kingdom still have fine clothes, still ride about in great carriages pulled by too many ponies, and still receive heaps of toys and treats for their birthdays, but the poor children who have been cursed by wicked witches now get the potions they need, and the merchants cannot keep them from them no matter on what day of the week they were cursed.  Despite their lack of carriages, treats, and toys, the poor children and their parents are happier.